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I found this a very lucid and stimulating
book to read. Lewis brings his experience and knowledge of cultural studies
(Cultural studies: The basics, Sage, 2002) to present a sophisticated
and nuanced analysis of the place of media in the construction of particular
global actions as terrorist subversions of legitimate state order and
control. Lewis analyses the contradictions and hypocrisies inherent in this
construction. He identifies the inherent contradictions in the critique of
violent actions of minority groups by nation states which are themselves
involved in self-authorized acts of violence. Lewis grounds his analysis in
the concept of language wars, the struggle by different centers of power to
gain dominance through commanding the construction of reality within the
interplay of representation of symbols and language. Central to Lewis's
perspective is the concept that "culture becomes a contingency of language
wars by which various individuals and social formations struggle for
discursive attention and primacy within a politically constituted 'mediasphere'."
(p.10) The identification of discursive contest as a
fundamental element of political engagement and struggle provides the
mechanism for a serious consideration of the relationship between global
media and political struggle in the contemporary world. The language of
terrorism, as a political and policy framing of acts such as 9/11, the Iraq
War and the bombings in Bali, meshes with the violent nature of televisual
programming. "The televisualisation of violence confronts viewers with a
miasma of emoti0onal and psychological effects within a familiar narrative
of moral-ideological conflict. The viewer, entranced by the horror and
excitement of the drama, is inevitably seduced by the possibility of heroic
restoration, the conquest of good over evil, order over chaos." (p.42) The
whole discourse of terrorism, therefore, becomes an extension of media's
preference for language of chaos and restored order, violence and
resolution. Terrorism as a concept has succeeded and been taken up in the
contest to define subversive political actions because it speaks the
language of the media. The first two chapters of the book provide a valuable
theoretical construction of this perspective.
Within this perspective, Lewis explores the correspondence
and contradictions of this singular language with the complexities of the
political contexts of actions like 9/11, the Iraq Invasion, the Bali
Bombings and global Jihad, and the occupation of Iraq. His aim, he notes, is
a modest one: "to reconcile differences rather than resolve or expunge them.
The disputes and contentiousness which are inscribed in language and culture
are not to be averted or occluded within a saccarine triumphalism...They are
to be released through the fundamental practice of cultural expressivity
which resists a recourse to violence, terror and the suppression of
community." (p.265) This is a limited view - that resolution of these
actions born of deprivation and despair is to be found in "a new and
invigorated language of compassion and care." But it is consistent with the
analytical framework adopted throughout the book.
This aside, the book is an excellent analysis of the place
of language in the construction of political action, and the indispensable
place of te mediasphere as the football ground upon which this global game
is played. Those interested in media and religion will find this book
valuable for its nuanced and insightful analysis of the place of religion in
the construction of social, cultural and political meaning and action.
Table of Contents:
Introduction: Terrorism and language wars
1. Mediated terror and the politics of representation
2. Conflict and culture: Civilization, history, identity
3. The meaning of 9/1: In the midst of infinite justice
4. The Iraq invasion: Democracy in the field of battle
5. Globalizing Jihad: The Bali bombings at the end of paradise
6. The occupation of Iraq: Rule of law and the new public sphere
Conclusion: Cultural democracy, difference and the end of civilization
Review by Peter Horsfield
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